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Units arrive sealed through local distribution channels and are recorded against serial before dispatch, so a warranty claim later can be traced back to the order.
Claims are logged and assessed by our own team during South African business hours rather than being shipped abroad while the channel sits idle.
Because the cameras and microphones are standard USB class devices, OBS, Streamlabs and XSplit list them as sources the moment they are connected. The control deck installs its own key-mapping software.
Orders leave the Holland Road site in Centurion, which houses both the showroom and the warehouse. Johannesburg, Pretoria, Cape Town and Durban typically take one to three business days, with three to five for regional addresses.
Browse the full Streamplify range, or tell our team what you stream on and what your room is like and we will put a parts list together that fits both.
Send us the platform you stream to, the console or camera you are feeding in, and roughly how much desk you have. That is usually enough to narrow the microphone, mount and light down to one sensible combination.
Most first setups get bought in the wrong sequence. People start with the camera because it is the visible part, then discover the audio is what viewers actually complain about. Working through the chain in order of impact gets a watchable stream out of a much smaller budget.
The other half of it is mounting. Arms, clamps and stands are the least interesting part of the list and the part most likely to send something back, because a payload rating or a desk thickness was never checked. Measure before you order and the rest of the setup takes an afternoon.